Limonene 15, 2013
Limonene 15, 2013
Archival pigment print
Image: 30 x 23 inches
Edition of 3 ex + 2 AP
255, 2012
255, 2012
Archival pigment print
Image: 25 x 20 inches
Edition of 3 ex + 2 AP
Limonene 26, 2013
Limonene 26, 2013
Archival pigment print
Image: 30 x 23 inches
Edition of 3 ex + 2 AP
Red 171, 2013
Red 171, 2013
Archival pigment print
Image: 26 x 20 inches
Edition of 5 ex + 2 AP
Blue Shirt, 2013
Blue Shirt, 2013
Archival pigment print
Image: 25 x 20 inches
Edition of 3 ex + 2 AP
Red 666, 2013
Red 666, 2013
Archival pigment print
Image: 26 x 20 inches
Edition of 5 ex + 2 AP
Red 45, 2013
Red 45, 2013
Archival pigment print
Image: 26 x 20 inches
Edition of 5 ex + 2 AP
Walking (Green), 2014
Walking (Green), 2014
Archival Pigment Print
Image: 50-1/2 x 40 in
Edition of 3 ex + 2 AP
Barcroft Branches, 2014
Barcroft Branches, 2014
Archival Pigment Print
Image: 50-1/2 x 40 in
Edition of 3 ex + 2 AP
Red 406, 2013
Red 406, 2013
Red
Archival Pigment Print
Image: 26 x 20 in
Edition of 5 ex + 2 AP
Red 055, 2013
Red 055, 2013
Red
Archival Pigment Print
Image: 26 x 20 in
Edition of 5 ex + 2 AP
Red 015, 2013
Red 015, 2013
Red
Archival Pigment Print
Image: 26 x 20 in
Edition of 5 ex + 2 AP
Arctic Landscape (Trees), 2014
Arctic Landscape (Trees), 2014
Archival Pigment Print
Image: 50-1/2 x 40 in
Edition of 3 ex + 2 AP
Cutouts (Green), 2014
Cutouts (Green), 2014
Archival pigment print
Image: 25 x 20 in
Edition of 3 ex + 2 AP
Cutouts (Orange), 2014
Cutouts (Orange), 2014
Archival pigment print
Image: 25 x 20 in
Edition of 3 ex + 2 AP
Portrait with sweater (Green), 2014
Portrait with sweater (Green), 2014
Archival pigment print
Image: 25 x 20 in
Edition of 3 ex + 2 AP
Portrait with sweater (Orange), 2014
Portrait with sweater (Orange), 2014
Archival pigment print
Image: 25 x 20 in
Edition of 3 ex + 2 AP
Portrait with sweater (Pink), 2014
Portrait with sweater (Pink), 2014
Archival pigment print
Image: 25 x 20 in
Edition of 3 ex + 2 AP
Three Winter Landscapes, 2014
Three Winter Landscapes, 2014
Archival pigment print
Image: 50-1/4 x 39-1/2 in
Edition of 3 ex + 2 AP
Cardholder, 2014
Cardholder, 2014
Archival Pigment Print
Image: 50 1/2 x 40 in
Edition of 3 ex + 2 AP
Wall to Wall, 2015
Wall to Wall, 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Curtain Glitch , 2015
Curtain Glitch , 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Welcome, 2015
Welcome, 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Turf , 2015
Turf , 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Bush, 2015
Bush, 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Plywood, 2015
Plywood, 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Canoe, 2015
Canoe, 2015
Archival Pigment Print
Image: 40 x 32 in
Edition of 3 ex + 2 AP
Flex, 2016
Flex, 2016
Archival Pigment Print
Image: 50 1/2 x 40 in
Edition of 3 ex + 2 AP
Bend 1, 2016
Bend 1, 2016
Archival Pigment Print
Image: 50 1/2 x 40 in
Edition of 3 ex + 2 AP
Step 2, 2016
Step 2, 2016
Archival Pigment Print
Image: 50 1/2 x 40 in
Edition of 3 ex + 2 AP
Split Screen (Orange), 2016
Split Screen (Orange), 2016
Archival Pigment Print
Image: 40 x 32 inches
Edition of 3 ex + 2 AP
Split Screen (Green), 2016
Split Screen (Green), 2016
Archival Pigment Print
Image: 40 x 32 inches
Edition of 3 ex + 2 AP
Portrait 2, 2016
Portrait 2, 2016
Archival Pigment Print
Image: 40 x 32 inches
Edition of 3 ex + 2 AP
Reach (Blue), 2016
Reach (Blue), 2016
Archival Pigment Print
Image: 40 x 32 inches
Edition of 3 ex + 2 AP
Picture Window 1, 2016
Picture Window 1, 2016
Archival Pigment Print
Image: 40 x 32 inches
Edition of 3 ex + 2 AP
Profile, 2016
Profile, 2016
Archival Pigment Print
Image: 50 1/2 x 40 in each
Edition of 3 ex + 2 AP

Hannah
WHITAKER

Hannah Whitaker is an artist and Triple Canopy contributing editor based in New York.

Interested in structural limitations, she makes photographs by layering exposures onto 4×5 film through hand-cut paper screens. This accumulation of coded imagery allows the photographs to participate in various systems (linguistic, numerical, musical, and digital) and to form networks through shared vocabularies of signs. She holds a BA from Yale University and an MFA from the ICP/Bard College. Selected exhibitions include those at M+B, Los Angeles, Thierry Goldberg, New York; Galerie Xippas, Paris; Cincinnati Art Museum, Ohio; George Lawson Gallery, San Francisco; Tokyo Institute of Photography; Cherry and Martin, Los Angeles; and Rencontres d'Arles in France, where she was nominated for the Discovery Prize. Her work was recently selected for inclusion in the prestigious photography exhibition Foam Talent (2014) (traveling, Amsterdam, Paris and Dubai). She co-edited issue 45 of Blind Spot magazine and co-curated its accompanying show, The Crystal Chain, at Invisible Exports in New York. Selected press includes Frieze, Modern Painters, Los Angeles Times, Hotshoe, Libération, and Art Review, artpress, IMA, among others. Peer to Peer, Whitaker's first monograph, was published by Mörel Books.




Time

  • Hannah WHITAKER

Hannah Whitaker: The Science and Art of Constructing Images

23.06.2016
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Libration

  • Hannah WHITAKER

"Verbs', feuilles, ciseaux

04.06.2016
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Frieze

  • Hannah WHITAKER

Construction Sight

18.03.2015
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