Since the late 2000s, Kate Steciw's reconsideration of the materiality, mutability, and temporality of image culture - the terms of which are set beyond the confines of art - has been at the forefront of radical creative practice. Her sculptural encounters with the photographic embody the subjective possibilities of our contemporary image environment at large and its lexicon of automation, repetition, and versioning. This exhibition is the new iteration of Steciw's profound grasp on the "behavior" of images and how their state of contingency can be harnessed within the production of art.
Excerpt from Charlotte Cotton's text
