Sinfonía industrial en dos tiempos is a group exhibition unfolding in two chapters, at MAZ in Guadalajara and at Friche la Belle de Mai in Marseille, as part of the bicentennial of relations between Mexico and France. Inspired by David Lynch’s Industrial Symphony No. 1, it brings together nearly twenty artists in a dialogue between architecture, visual and sound art, and performance.
I will present a group of works, including a new sculpture, The Seeds Are Still Singing (2026), in which a steel and copper structure supports textile forms evoking seeds, fruits, or calabashes. As one moves closer, these organic forms reveal recognizable fragments of clothing, shifting the work from the vegetal toward the cycles of production, consumption, and disposal of the textile industry.
Between germination and waste, living organism and machine, the sculpture brings together the rhythm of the living world and the continuous, frenetic rhythm of industrial production.
