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Isabelle Le Minh explores the essence and limits of photography, reactivating its history, techniques and theories. Through a protéiforme and polysemic work, she questions the nature of the medium but also the notion of originality in a world dominated by the image.
Using citation or diversion, her works play with words, signs and cultural codes, in a resolutely conceptual vein. Tributes and references to artists and art theorists, chemical processes, photographic equipment and new technological supports are all milestones that punctuate this photographic exploration.